experimental photography
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F&D Cartier Françoise et Daniel Cartier Via unique one off creations of photo-based woks in constant transformation, we question the sense of the image, memory and lost, Time. We experimentally probe the essence of photography, its fundamentals, light, photosensitive materials, the turning point of analogue photography to digital >post-digital photography.
Minimalist experiments and performance, found objects, work without a camera, darkroom or chemicals > Wait and See, 1998 – Today : on-going research, in-situ installations of expired photosensitive materials exposed directly to the light of the exhibition spaces, luminograms left in perpetual transformation, left unfixed. The shared experience engages the audience to face reality instead of looking at a picture, invites them to be patient, and the history of photography is retraced, echoing subjectively the historical and artistic collateral events of the 19th and 20th centuries, by selecting for each iteration of our installations expired photographic materials (1870-1990), from various sources (900 different ones), depending on the singular situation of each exhibition space, in particular its history, topography, location, …

George Eastman Museum: Actual Exhibition Collections : Tourism & Photography

ACTUAL EXHIBITION AT THE GEORGE EASTMAN MUSEUM IN ROCHESTER

Selections from the Collection October 9–September 4, 2022 Collection Gallery

Talk / video: Selections from the Collection: Tourism & Photography
In this virtual presentation, Lily Jones, Boyer Cataloguer in the  
Department of Photography, will discuss her selections for the upcoming  
iteration in the Collections Gallery, which highlights how the history  
of photography has intersected with the evolution of tourism 
in the  United States and abroad.  Watch video.

F&D Cartier from the series Grand Tour revisited, 2014 Pompeii - Kaunas, inkjet print - found objects.